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There’s a great diagram where you answer questions like, “Do you think you’re emo? No. Are you emo then? Yes,” and “Do you think you’re emo? Yes. Are you emo? No.” There’s a little bit of, “Just do it, man.” People can force it and I support a lot of bands that fly the flag. But go be at the show. Help out, clean up at the end of the night. Get into it a little bit versus showing up for the headliner or showing up for the best song.

Are you willing to take out time to experience the power of brevity with our emo jokes one-liners that are delivering instant amusement? I can see that. So I want to end on the current wave of pop-punk in the mainstream, with Olivia Rodrigo and Machine Gun Kelly. How does any emo-adjacent genre becoming popular again fit into this equation? Step 1: Make sure your hair isn’t too short. Start by being patient and growing your hair. Your bangs will look good if they cross your nose (lengthwise) but not your jawline.

Not that I was surprised but obviously a little bummed emo didn't really get repped in the Rolling Stones' recent best singers list. I thought about doing a form where everyone could just rate/rank their favorites but I thought a thread might just be best. They are absolutely the most emotional band I’ve seen. There’s no more euphoric band, especially How It Feels to Be Something On, which is one of my top records of all time. So they are absolutely a pinnacle, even though [lead singer Jeremy Enigk] runs away from the word every moment he can and jokes about it with me. But that is a truly emotional band that everyone should experience, regardless of what you like. Runner-up: “I Forgot to Take My Meds,” Prince Daddy and the Hyena Lil Peep walks the runway during Paris Fashion Week on June 23, 2017. Photo by Jacopo Raule/WireImage 2017: “Save That Shit,” Lil Peep Do you think that a lot of the early 2000 bands were more theater-kid energy than punk and hardcore energy?

I think Machine Gun Kelly found https://t.co/Q6odoZ1xbp— Is This Band Emo? (@isthisbandemo) March 19, 2022 The emo revival may have repudiated most of the aesthetic qualities of its preceding “hair metal” period, but the inextricable relationship with social media was kept intact. MySpace remained a crucial hub for networking and touring information, while makeshift punk blogs, message boards, and Tumblr served as mp3 trading stations and hype incubators. A leak of Joyce Manor’s debut had virtually attained “instant classic” status by the time it was released in January 2011, and frontman Barry Johnson attributed its success to “16-year-old and 17-year-old girls, with septum piercings and green hair”—a demographic fluent in Tumblr and so alienated in high school that they could view the miserable one-night stand outlined so quotably in “Constant Headache” as aspirational. While most of the initial conversations surrounding Joyce Manor have been relegated to the digital dustbin of history, to this day, it stands as the rare time the East Coast hardcore, SoCal pop-punk, Midwest emo, and straight-up internet kids found common ground. — ICAgain, I’ve softened. I’m just trying to bring people in. It says, “If you’re finding punk, welcome aboard.” So this is what my sentiment is: If you found pop-punk from Olivia Rodrigo and you found Paramore and you follow Hayley Williams, she knows what’s up. You’re going to find cool stuff. So welcome aboard, if that’s your way in. What do you do with a band like Weezer, who made an album many people consider emo in Pinkerton , but then a whole bunch of stuff that definitely isn’t? I did the book series, Anthology of Emo. It looks like a textbook. It’s not supposed to look neon or look like it’s supposed to be from Hot Topic. It’s supposed to be serious. I just hope that if you came in that way, you might slowly find some more stuff and realize there’s a bigger time period to this than the four years it was your phase. It’s not a phase. It’s always been around. It will continue to be around. The whole thing has ended up leaving some ginger folk feeling a little bit flat about the new emoji arrival.

I asked an emo if they wanted to go outside, but they said they prefer the dark corners of their room. How do you determine what level a band needs to be at before they make the database? I presume you can’t put in every band with a three-song EP they made in GarageBand. Anxious feels like the perfect ending to a recap of emo’s history. The Connecticut band, whose straight-edge members are barely old enough to legally drink, were teenagers during the mid-2010 peak of emo revival, and like sad sponges absorbed everything the genre offered. Their harsh-clean vocal dynamics recall Touché Amoré and even early Fall Out Boy; their layered guitar hooks could be mistaken for a Jimmy Eat World cover band. The acoustic love song “Wayne” feels like a contemporary, less-self-loathing update on Dashboard Confessional. They even reference bands that broke up before they were born: The slanted rhythms of “You When You’re Gone” are a send-up of First-Wave giants like Texas Is the Reason and Penfold. But they’re not simply regurgitating their influences. On “In April,” they combine them into a song that’s greater than its parts: twinkling guitar melodies, dense rhythms, sing-screamed vocal harmonies, a quintessentially Third-Wave instrumental buildup to the final chorus. It sums to a band that sounds at once nostalgic and like a harbinger of emo to come. — AG

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Runner-up: “Action and Action,” The Get Up Kids Chris Carrabba of Dashboard Confessional performs at the Roseland Ballroom in New York City on Sept. 5, 2003. Photo by Debra L Rothenberg/FilmMagic 2000: “Screaming Infidelities,” Dashboard Confessional The Drake to Mineral pipeline—I don’t know how that’s going to work, but there’s a chance. Speaking of basketball: Is Kevin Durant emo?

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