Arturia BeatStep Pro Controller Dynamic Performance Sequencer

Product Information

One particularly cool feature is the Randomiser, which uses Randomness and Probability controls to fire off random notes, the former determining how far from your programmed notes to stray, the latter defining how often that straying happens. Programming drum sequences is a breezily straightforward process, with no real surprises if you have any previous experience with drum machines. The information obtained through cookies allows us to compile ad performance statistics and serve ret

Finally there is the MIDI controller mode, which provides tactile control of parameters of your favourite VST instruments, turning them into hardware like synths. The melodic sequencers offer up to 64 steps per sequence, 16 sequences per project and 16 projects, making it one of the most impressive step sequencers ever made. s transport controls are also integrated into the system, so you can actually do a lot via this schema without touching your mouse.The main functional difference between encoders and traditional knobs (or sliders) is that there’s no visual feedback of the pattern ‘shape’ — but you can, at least, learn the value of any encoder by lightly touching it. They’re well–spaced for finger–performing and arranged into two rows so correlation with the encoders is obvious.

This is one of several ‘opportunities’ to get out of sync, and not just with other gear but with other Beatstep Pro patterns too. These discounts are usually communicated through newsletters, which are created and managed by us with the tool "Emarsys". Since MIDI has velocity information built into each note, it’s good to see the sequencer tracks turning velocity into volts (0–10V) ready to be sent to your favourite modular destinations.Versatile, compact and rugged, the Arturia BeatStep is the perfect controller and sequencer for on the road or in the studio. Two of the sequencers are monophonic, intended for riffs, basslines and the like, while the third is for sequencing up to 16 channels of drums. Patterns running on each of the three concurrent tracks are independent in terms of length, clock division and direction — ideal for polyrhythms and complexity! On switching directions, there’s no mechanism to tie the switch to the pattern’s end: the change kicks in immediately.

I've been looking for a good analog sequencer for our modular rig for years, and this little box exceeds all my expectations for much less money than I was hoping to spend. That adapter is the stupidest Y shaped plug that requires this big open space to right behind the BeatStep on my desk so the tiny connecter doesn't snap off inside the Beatstep itself and I can move the cables around to get to where they need to go properly (apparently the micro USB port is VERY fragile so watch it).Burl Audio, under the direction of owner/designer Rich Williams, has developed some of the best new recording equipment over the last eight years. Sync a vintage drum machine, or trigger its sounds with the patterns you create with the BeatStep Pro!

Arguably these terms have similar meanings, but in Arturia’s clarification, the randomness value determines how much randomness will occur; the probability value sets how often the randomness occurs. For maximum convenience, both CV outputs offer either Octave/Volt or Hz/Volt operation, joined by either V–Trig or S–Trig gates (a lusty 12V). You do have to switch it on in the MIDI Control Center, but you can sort of queue another project, have it play to the end of the patterns, and then it will change to that project. After more data–sharing amongst fellow sufferers, it was revealed an MCC bug (subsequently resolved) had scrambled some of the values of the analogue outputs.That’s way too much work when I can just use the Octatrack arranger to actually change patterns on the M:C/M:S. I programmed a 64 step drum pattern on the BSP, with a fairly obvious fill at the end to make it easy to hear when the pattern was starting over.